Characters & Visual Works - ANYMA
Every ANYMA show begins the same way: a figure appears in the dark. Not a logo. Not a waveform. A face. A body. Something that moves like a human but feels like something else entirely - too precise to be organic, too expressive to be a machine. That tension, between the warmth of flesh and the cold geometry of code, is the signature of every character Alessio De Vecchi has created for this project.
The ANYMA visual universe is built on four core characters, all created and art-directed by De Vecchi. They did not arrive as a set. They emerged over years - some dating back to 2019 in De Vecchi's independent creative practice - each one responding to the last, each one pushing the visual language further from where it started. From De Vecchi's personal working files to live performance avatars projected at stadium scale and rendered across the 580,000 square feet of the Sphere Las Vegas interior, these characters are not illustrations of ANYMA. They are ANYMA.
When Matteo Milleri first encountered De Vecchi's work, he was charmed by EVA - that robot-humanoid face already fully formed in De Vecchi's independent practice, carrying a presence that demanded to be part of something larger. From that first recognition onward, Milleri became a contributor to the lore surrounding the characters, shaping the narrative context in which they would perform and helping inspire the journey that has taken them from independent working files to the Sphere Las Vegas. The characters remained De Vecchi's creations. The story around them became something both of them kept building.
EVA is where it all started - and she started long before ANYMA had a name. A robot-humanoid face, part sculpture, part architecture, part mirror, that De Vecchi had been developing in his independent creative practice since 2018. Working files from 2019 document the character's evolution. EVA emerged from years of De Vecchi's solo work in CGI character design: an obsession with the uncanny valley, with the emotional resonance of a face that is almost, but not quite, human. Her metallic skin catches light like polished chrome but moves with the weight of living tissue. Her eyes hold an expression that shifts between recognition and distance depending on how long you look.
EVA's first ANYMA appearance was as EVA 0, minted on SuperRare in 2021. Months later, on November 28, 2021, she debuted live at Printworks London - the show that announced ANYMA to the world. Since then, EVA has been the undisputed centerpiece of every major ANYMA production: Coachella, Tomorrowland, Art Basel, and the Sphere Las Vegas, where her image was projected onto the Exosphere - the massive exterior display visible from the freeway, from the airport, from satellite imagery - in an announcement video that collected 1.1 million likes. She is, by any measure, the most recognizable visual character in electronic music.
"De Vecchi has been involved since Anyma's inception, beginning with the robot Eva head that would inevitably grow to include a body."
- Variety, January 2025
?]{]> ~>l
?-{}< </Q@{0 -1[i
~_{)< dZvu CZXqwwb _< ~(|]<i
-}(?> U@OuZQLOXZ*#U@o#@av ?}_< <||?l
?-1}< @z]_{liJU@Y\vZz\/c/[1[ [{_ {\(]l
<~11> @@@a@a_ +<_}XZ% _+{{]<uf <{}+ +1|[-~
-1(? %@@Woc/[>--+|?<_]<!i<[[1|(cr ?}]-l ~\([i
+_?[! |t@JOc_}}[[-Xwqc? ~ l~{~-]1Y)> ]}_!l ~1\({i
_i_>Ji{)~rMqu[L)]! l<i!i]] <{{_ ~)|[-<
-- &_Ymn+~ )0M@#q@v\ > ]{[-l [/\]!
?[1{ )wCu)(j<@@?pb8Mb@Q< l l]}_~> _((){i
[_1(< f!__i }\f+XBd B@@Bd >}}+ +\\[<~
>_1Y( xhl ~X utCo@M@b ]1}- >)/\}i
]8W8pQ!f_ 8-+{(> l[}-_i ~\\}?<
i(X}] l <{[-l [f\[!
>-t+) U >18o ?){?I -|/1{>
<!<+{( \ \ vwLq8 l[{-_i _tt[i
! !<?lWb?} qJ-w !1)- i}{{}i
@p lI!!-zZ-Y%8XWk ]({?!
+X >[)x/ i0@w- !}1-+> }{\1~
W(|b |& >YMO @@@@% J@@@@@@@@@@@j i(1?l ~f/]<}
\ l_ @ b <q}#&[_ Y*@@0J/@@@@@@@@@@@@@@@@@@% ]){[! |/|{>
}fa}@+ [<b{wf#Xfv_/-l ? B@@@@B@BB@BB@BB@B@@@@@@@@ l{)-<< _tt}~+
1t|vWxi @|/ u|n(\{\/{i @@@@@@@BB@@@@@@@@@@@@B@BB@@@@@@@ < /t\1~
vO\[-}v@> \&% 1r ?<}-?|(_ !+ @B@@B@@B@B@@B@@B@@B@@@@BB@BB@@@M }ft{+-
rJ/1~>l~-!> +z*J+??{ ?+(t- Bl @B@@B@@@@B@@B@@B@@B@B@@@@@@@B@@@C@@@C }1_ i ~tt()_
|\{[-i~ -[}t_<~<<_-{! +1/1! } o@@B@@BB@@@B@@B@@B@@@B@B@@B@@B@B@%uvawO <((]i~ \tf)-?
<r]--~~<i> l ??_+~~++[ _{(1- B@B@@@@BB@@B@@B@@B@@@@B@@B@@@8&o*p ~/- })}]i ]ff)1-
\n_ +~! !~l _{?+~++r+ ~ > f !@@BB@@@@B@@B@@B@@BB@@@B@@%WobpOLcC ? !)(]>> \tf)_~
j1[<!! l w?-_~+nf/ > B@@@@@BWB@@B@@&@@B@@@B%&MkhqpmQYcjfn_@ [(|}> {tf1[-
}<<il ! }--}}|v1 l>{|(-* < B@@BB@@@@BQOkLo#WM#*ahkdwmOQLJznj/|t < l1(}]~ _//)1~
<iii l t}|/fUxbZvaO <~(/}i CW C&@@B@%&&**kbp0/UZmmOQ0CUXXvvurj/|({ _|(}<< \fj{~~
il!l_+ (/rfuUmB&8ffxxuxXq ~)t)< z idb&&%W#okdwmQCUzuj?|)?i _xYQ]l ~- 1(1{~ ?tj1{~
!I <!l |/juz@LUom@8QYxjrxxnnxnjnv> - [ahkqqZOO0LJYzvrt((1 } lv ] >((}-_ ]\//)~
l< YnvzYfrt\){))(/XZ&@@aCYYnxcXzzXzrxm( Cd%WZCcrrfffft\|()}}1( @ B \~> {(|{<I ]~ ?~>
fxx>}{{?+~~__--[{))txzUQdo#kQUCUJUUUUZ@U(M? #M@Bq0Qvtjxnxrft||||(<< h@b fx {(}[+ >[
-\+[}}_ Il!><~__[1|/((jrnvzJOb*dL0Up@_ < jok@@Z)/]//jjfnunrfj// < ?(|}~? !/f/)
t|){-iI I I i>>_?[{(|//ffffxncUQp-+ |})cbQ@#bQj !~ >jvvx \ ? [)1{~ \fr1~j
[~I~~i>>><<>il!i!l ll><-[}{1)))||rz|un8@zX m- lqw_ 1]_cJxXmOYjtl !j- Uz{ i1)[__ ]tx(1_
[~<>+--_+>>+-]{\---_][{)}\cUcC + {?}?MBk/tX \bZ@(m?0Q*UU _Jnrrj\v?{! {C >Wr > Y@ [1)]> -rr||+
>jvv[_i<~+-})1t/XOmBM\vju& Q <YkXu~jop@x*(j?tOYz Yzttu)0Y|)< _ * W | }1[]< <frx(__
/f)~~+~+? l }aUM + !]hBr&kUC|x*rL@ @n[)od0 Lf+\/ff||~-~-<i~]rzl < 1 ! ?1(]>! /xn({]
<!-l t iX (mq?Lpj{-+J#@ mbL+@@%@@o k\/(\tft)|1_?>-\UoO % viOf ?{}[> 1xr(|}
i~>!I > l |%tt))_i x- iOB@@B@@#u @(//t<f]ft|? xd@@l lYx~QU?} i}{?<< [xxj\[}
i_)/|} ~b@1%B@@@B@@m- ])|\f\{]|[ I?-zYu > - ( _}{]i <xru\[}
i +}[oB@BB@@B@Bhz a1\ft\]1}nx/} v - ) +! rnx(({
<|]l k ~/>@&@@B@@@@@WhU r\tf/\|trxnj[> <~nf )cx|/[
v<)ft(~ @@@B@@B@@@WhpqqB%cOvuv[\tt( ttrt( umqpOLzji_ - ?unt/]]
(_|jt(l @B@@B@@BB@@@@BBBLd%@@*Bjt]t} lrOZw%wQX[i \ m~{1]i/ [unr|?}
+)tj\? O@@B@@B@@@BbpYrr1\jzO%@@qr|fttj1 CZOwoowk@@u]__~ -{}[i <jnu|[}
~\rf(_ l@B@@B@@BWYCOZ[rQ\{fLL@B@fXjrtvvXzr}{}}-?rvcQwCv%@@B@@}? i}}]+i ~_-1{[
_(\rj{~ LM@B@@B@8Y(vmOnOpn|r| j#B@a[JjtjjzYczzXczXtcj(uO_[|@B@B[? ]{{]i +
~/nrt} ]@BB@@BBhI(U0JUOOqZ) )jph@z}0af)tz{X~vXYcntf0fQOCQ~_f@@[- i}1--~ ?vn|(
>[/nr\{ **%@@&@ ]/\|fQ0wL qp(Q%%@XYXt /xJz1\vj} ~CU|jY\>il<|?] ]1)?>l ?cv/t?<
~tjxj1] (mqk&B{ {|}xJbao_ xx|f|rrb@)@j << > (c{[_ li<<i!{@ !{)}[< }vnf/?]
~tnx/{ >m@q fl0w#*k v@8w0@@B@oz[ x_ >{t] !>-?{?_ [(({_- {vvn|{[
<1\nx({ ! ~ qQo8own 8UQf1|zu@@{@ i_)&h<+> i[ > _] ]]}- i1()1_ )nvv\|[
+/jxt{< [ X(C-Ux rf il@n} i | > _ l ii] tt\l>_ [||{?] )uvv/t]
_/ux/]{! i ] p{W&kkL 0Wt~ L <UC ? l i_ }utff! > ~(\|)?<)uvc\f}
~}\xr~ {)~c0QQaqod{ J <l ux < } !~]~@@@@hC<l>l }/t()}\ucv/j}_
~{ i 11zmCc0Xdwc !<-}?@B@@@@@@@v!+/jjt(f|t|jj1{
_} !{-+{CjvfcwXu l!>?}x@@BB@B@B@mm)uvfc@BQ<-i(1
!!/x i <]r?u\(\/t\l@ +>i~ l!__1r@@@@@B@@Bb@Z@@@@B@@d<?<!j
1_(f ~ 1)-x/>_]1{- l!<~)/@B@@B@@@B@@@@B@@k*@pXt>>
-/ ! ](/Xj[ ll l l>~~-]{{@B@@B@B@@BB@@@B@B{! pq ?
-?< ! ixj? <1\ l+ lll!!!!<+]}?f@@B@@B@@@@BBa@o~~/ \! < (@
?_ ~ [ _ +1}_ !i!l+~]{]O@B@@@BB@@BbBW|r_ qM@@ ! @
- ~+?< ]C )l{f\_~ l -)}]]}>Q@@B@@@@B@&v<upi +@@B@@u@ } C
[/ ?({{+ !++[{?11_u@B@@B@@@Mab <c|n}pBo@_X@q ( !l Yp
+> ~ [}\{> l ! i!]]?+<ii])@@B@@BBMan v0crz(X_ lY! !c] I \
) /~>+~ t)|]ii >~ ~l> _@B@@@WoL ijUZ?!k%w _ ! } r 0
?v{ n _(rx|?>i i!i+ 1r<@@%Wom [f1l v < ]-1>] @ B
Ucutf\fjj\1-_->i i- !]|ttxz/>chqC {+< [{> ~ >(1+ bJ _ _
rvzunjjr/)}[]+~~ii <i <i <! >> [\1+trjrcLJz(+ ]+ liIl _1L@B@%l t <_l cQ@ )nYz-(
rXvrrjxj|1}}}?]?-~> - -?-)}> >[11)|/(tvczJCXcYnfn_ -nXv*_@/xla} ? ? +i OqZ i1xY]l i
)zujrxf|({111}{??__! -~ > <)|}> ~)-[]+[[(t/tunvYXUvt|nt)}_< ctaBQt l ( !_~ <+< !<)\r!
(/tjr/11{{111{{}-[- >~ ! i<} ]{11[t1]-]{jftuvzYxuxf|1}_> _?ltj { | ! +-[|1?+ !u
_1/ff((1}1{1)?-1}[[ <}1 _ _ [(|ftj\/xnrjruczjjj//(]~_l !! ttl- ) I )YCBZ0}][? >
~1\(1}{}{}11)]){?{_i}\(i } z} ~JO /|n/|1){]> <~i i + <%Y{l/[X > XjrBWx i#u @Z}
i]]?--][]}1){111}? {\)} + < l 1! ! i +<fli +~~> <> zI L@@]~(x@lf(fCqm h( Jzfi
-?----[}{))}()}{ [{()> { <! ) +]> > !<~<< ?_<<Zd#Wpj % Y@([[1 Z#@@Cc -[ l>
?[}}[}]{1|\\|1( }?-1[}! -- } l ! > il<++< +~i ai j>i] !Zjtm@v ucCq@@b-< l<1
]1(|(|(|(\}/|)(l}_]i])<l]<! +<i}~ il li~! l_ ! ip ii++-<~ ~_ <j ! >/(cXzp@8c/O@0+ i-Mk{-f->
<)\//////t(1|| ?}--_ i!?lt?+-!<>> / l}] ~\v _ i!++~+~ ~> <!i]? r_ cQ@@Czr@J{~i~~t@p|-)
-)//t/|/(1)\) ?[]+} ~-> <]}}-}+i i >I i~__+> !- l i [ @BZJQ} 1){}|x@d(<
?)|/()1)\\\ _?+}?1 \_[~~>-1~~ l ~-> +{_> l i_[~<~ <{ >Q(} Z[ %+#/>l1Z[
_?}{11(|() ?_>]-t{])11))[]1?}+ l ! i l~>-} LC[]]]_}}{]?ii<|(<~<~+<> <[ QCq( M@8# ]@{*1 M[
i~-][1(1/[ <~-1i?]}~!|xutj(ttt|(\(> l |@@@OM8(xv1x|]{{}?]~(\!!~>> +I ? [\ ) M@J(Um@_ @8z%-x r
i~_]]11)(l lvvcczxcYUJk&&WW8%uzXnvUUJYYznn1]{}_?]}-lii! >~+ ? >l !%@kzi
<+_[}\tuv! >~-i _~)|urf_zJLqwddbdkpbbbqQ(QC0LJUUYznx/|][[ <l [[< / [C(C[ko
<+-(r0u_<>!~ <{(|} )/1fcznxJZd8%qwppmCZJmYQCYvXcnj\({[?_ {?>~ 8 +*{i
>]}|l+@@[+~+l!+\_]/(|){(11_{))rnfrJY))jXzcuv\XXcfcr| 1+}?? 1??> _ }@> j# n
}]n>!!Q/h}?-+~~~?{)))/)[]]-{1)jf/xxuff+tzxczr|/vfxu/})[|? }]]i> BiQBW) b] l
v)i! @@){}~{][{<}][}11]](1)11((j(t\t/\vYz\(rjrutf/\({(- @< @ / r<
#Yh/|1 _nn||\vxtt|nj/jj{+/+1|/nxfrfjrrnf/|)|}1 <[ ?{
&@@ /utfuvYLw|/ncuu|cCrj\[ _~}((1{tr|({j\t]-]?I [{{_ l
&(% 8_ k@/xxYn)uzYnccjff~|(f{(?|}{]1-!+ <{}?]il
@@@ / Ia@* }/\/t)/fjr1}(t/x11tt- l[[]-!
MBL[l ]@ _&B~ )UZLLXr|?_++i!l >+?>~l
Lzt}-?[txXQL&@@ 1jpbW*#[-_<>! <<!>
pQXj)}}{tzQ*Mop@ l1jrf))]+>>l l
0oawYt)\\XOaa#pmQ i }_<!>!l
0MBaOn))r0*@BkwYUl ] <
-jCcnt1[[rQ*B&dLf/n !
i<<I!I>_i1\xnvx/(+] - t
><i~}){-~>l ! hC
l+(->>~|\){_! ~- O
+ {(tt ?[ ?1Q{
?l ~r/<l>{+I -
li<)z)z|! ?rf 8 <
ltv)JCCp!tu(
/Q>zh 1rnn
!>>+ ~ Yn?Y [OXzcvuxj{
!><i +?}z>v <zLXvvxrt
ii> ~ <1j}L{rznxxzcxrXXcx[
i> > I? ()>!+jYZqLwZOzf-
! ~<++(> _!+|\ / ~1{[[}}_][?}-+~>!!ll
! ]1))1)1[1{{+[]}]]-~!i>!
- i}1(|)){{)(
< [(]]i
If EVA is the question, ADAM is the answer that raises more questions. The male counterpart in the ANYMA character universe, ADAM carries the same robotic-humanoid DNA as EVA but wears it differently - heavier, more angular, with a sense of mass and gravity that EVA's ethereal presence deliberately avoids. Where EVA floats, ADAM stands. Where EVA observes, ADAM confronts. The design follows the sculptural language De Vecchi established but pushes it toward something rougher, more geological, as if the same intelligence that built EVA constructed ADAM from different raw material.
ADAM appeared on the Sphere Exosphere alongside EVA as part of the "End of Genesys" residency campaign in Las Vegas - two faces projected at architectural scale across the most visible surface in the American desert.
J@@@@@@@@@@@@@@@@}
x@@@@@@@@@@@@@@@@@@@@@@@B
@@@@@@B@@BB@BB@BB@BB@BB@@B@@B8
q@@@@B@B@@B@@@@@@@@@@@@@@@B@@@B8%#a
@@@@B@@@B@@B@@BB@@B@@B@@B@@B@@B@#Whkdm
@@@@B@@B@@@B@@B@@@B@@B@@B@@B@@B@BB*amZp|zX
@@@B@@B@@BB@@B@@B@@B@@B@@B@@B@@%WW#kOYXt? ><
@@@@B@@B@@@@B@@B@@B@@B@@B@@B@BBB%8*bZUzt>
%@B@@@B@@BB@@@B@@B@@B@@B@@B@@B@&&*hpmZLj}
@@@B%B@@@@@BB@@@@B@@BBB@&B%@@%B*&kabkdCv]
W@@@BWWBB@@@@@B@B@8@B%B#*oM&Wo#bhkdkodqQY+
o@8WWa#BBB&&@8BW&o8ZkdZdqWW0ZOCUJXmLQCQut_
*Mo&ah*hhWdZZYv\<|r?))\tfxfx] ~!_>
bh*#hbZLUzcn/| !u? ~ ~
Zpk#dOz[ ]ox +W@w? (b +
cma*bQ< t|ff} -mW@&( i1 ]
upMo*Qxr?]! < OJtQZoBMw< |i \
nZqooQLzcJql?< !n&MZpmk8@8Xi !)! [|+l
%Mopbdpdhpqwa*%zzw*amkwk%B@@k/ --U00X\1/{-?>>>
%xmqOwmkpmmdko%8*%#M&hpp8@@@@*J> <rCawkaqxf{[>
J(@aOzz0wkMhWh8%MW%%%k@hZZpdx)> ?/XLppmUJ||
#@p0Yr1uCkaM#8BBB@B@%bf I (zqhZbCXt<
@BYnm1)rzLd*%88@B@@@B%| l)\ x0Mqcx__
@@?Cj\f(cJqo&&8@BB@@@@B@B@8OO|! (tCOqLYfi +
>@@UzhQccLZq#*&WB%@B@@@@BB@%%hOf)t}/uc/|?
8@@%OzCYQZqak*W%B%W&&BWdzQJU{ <<l-[< +
baq< rXJpwakaW*hqYvYutx11_i l
)|rQZpbobkmYOUzhBB@@@8bX{ lo
|CfO0cOQpCa#B%#&qY11 >
>-/zYXXLXbM%BB@@@WW&qQ{/_ %
+?r\zw*88@@@B@@@@@@8bQj( _
>{r0qb#B@@B@BB@@8WqL/ i1Z
!(nZqhho*bQYCJr{! ~\r
<}1/{/]| _? |Xw
i -
<
)>~<
XYvt(} l
L00QYj({-
JkhkwcCvr[ \
w#OobaZzux)]~?
%obd*WhadOzUct)??
%B%hkMW*&adYYYuu)[
W@@MkbkMBB#oapw0Xjf]1
o@@%@B%b#M@BBB%&qdmYXxx
w%@@B@BWwaMMW8@@BB8&qZCCv/}_
@@B@@B@@BamqOLMW@B@@BakbZkCzjf(?-_ l
BB@@@@@B@@BB%%0b0MaB@@B%adbZZcZ\vj[(f) 1!~ +i-<
{B%@@@@B@@B@@B@@B%#8&B@@@B@@@#dmQOLd0wdwOr/ + -)1/(YUCLJn
@@@@@@@@B@@B@@B@@B@@@@B%B@BB@@@BB&kbCqbOW888k0v? + i_+}1)frnvULZbdd#a*khbM
(@@@@@@@@@@B@B@@B@@B@@B@@B@@B@@B@@@B@@B@#hdqb*M%@@8MdOv()fcvu\nzUf00hkoaMW%%%@@@@@B&%W@
d@@@@@@@@@@@@@@B@BBB@@B@@B@@B@@B@@B@@@@BB@@B@@@@Bokd88B@B@B#odYcYQqwm00Zqhpqah%&8@@B@@@@B@@@B@@@@@@@@B@d
%@@@@@@@@@@@@@@@B@BB@@B@@@@B@@B@@B@@B@@@@B@@B@@BB@@BB@@@@BBB@@@B@@*8*JphZk%#*koo#W###BB@@@B@BB@@@B@@BB@@@@@@@@@@@@@@@@
W@@@@@@@@@@B@BB@BB@@B@@@B@@B@@@@B@@B@@B@@B@B@@B@@B@@@B@@@BB@@@@B@B@@B@@@B@@@BB@BB@@@@B@B@@@@B@@@@@B@@B@@@@BB@BB@BB@@@@@@@@@@@
@@@@@@@B@BB@@B@@@@@@B@@B@@B@@B@BB@@B@@B@@B@@@B@@B@@B@@@B@@@@@BB@@@@B@@B@@B@@B@@@@@@BB@@@@B@@B@@B@B@8B&WM8B8@B@@@@@@@BB@BB@BB@@B@@%
@@@@BB@B@@@@@B@@B@@B@@B@@B@@@B@@@@@B@@B@@B@@B@@@B@@B@@BB@@@BB@@@@BB@@@B@@B@@@B@@B@B@@@@BB@@@B@@B@@@BB%MM%W**%@@@B@@B@@@@@@@@@@B@@@@@BW
@@@@B@@@@B@@B@@B@@B@@B@@@B@@BB@@@BB@@@B@@B@@@@B@B@@B@@B@@@B@@@@BB@@@@BB@@@@B@@B@@B@@B@B@@@@BB@B@@B@@B@@@%@@@@@@BB@B@@B@B@@B@@B@@B@@BB@@@Ma
M@@@B@@B@@B@@B@@B@@B@@B@@B@@B@@@@B@@@BB@@@@B@@B@@@B@@B@@B@@@B@B@@@@BB@@@@B@B@@B@@@B@@B@@B@B@@@@@@B@@BBB@@BB@B@BB@@@BBBB@@B@@B@@B@@@B@@BBBB8&#f
@@@B@@B@@B@@@B@@B@@B@@B@@B@@@B@@B@@B@@@@B@B@@B@@B@@@B@@B@@BB@@@B@B@@@@BB@@@@B@@B@@B@@B@@@@@B@B@@B@@B@@@@B@BB%B@B@@B@@%BB8%@B@@B@@BB@@B@@BB%8WhbL
@@@@B@@B@@B@@B@@B@@B@@@B@@B@B@@B@@B@@BB@@@@B@@B@@B@B@@B@@@@@@B@@@@B@B@@@@BB@@@B@@B@@@B@@BB@@@@B@@B@@B@@B@@B@B&BBB&B%WB@%B8&@%%BB%%@BB8B%B@BM8WhhbL
@@@B@@B@@@B@@B@@B@@B@@B@@B@@@B@@B@@B@@@@BB@@@B@@B@@@B@@B@@BB@@B@B@@@@B@B@@@@BB@@B@@B@@B@@@@BB@@@BB@@8B@B@@@BBBBW88&M#BW8%B88MM8WMWWB&&8#oaMW#*WWMaOz
!@@@@B@@B@@B@@B@@B@@B@@B@@@B@@B@@B@@B@@B@@@@BB@@@@B@@B@@B@@B@@BBB@@BB@@@@B@B@@@@B@@@@B@@@BB@@@@BB@@@@BB@%B@B@@@%8M&*#ko**hoaooMoh##*od*#ahdp*####phkkOv
@@BB@@B@@B@@@B@@B@@B@@BB@B@@B@@@B@@B@@B@@B@@@@B@B@@B@@@B@@B@@@@@@B@@@BB@@@@B@B@@@B@B@@BB@@@BB@@@@B@@B@@@@B%@B8@@%W#**hhbapw0pZmZwmmpbbkhhdbwdbdkkkaddZU~
@@@@@B@@B@@B@@BB@&%8%B&8&&@@B@@B@@@B@@B@@B@@BB@@@B@@B@@B@@B@@BB@B@@B@@@@BB@B@@B@B@@@B@@@@B@@@@BB@@@B@@@BB@@BBB8&888#MpdkbbO00LXnxuYznzUCJUQOwdZpbkbbqm0Qr!
@@B@@@B@@B@@BB@%Moakkq#ab8%8BB@@B@@B@@B@@B@@B@@@B@@B@@B@@@B@@B@@@B@@B@B@@B@Bk@B@@@B@B@@BB@@BB@@@@BB@@B@@B@BB@%@&8W&8Ma#qdmOq0cu|[1 -{[1[(tnxXYQqpmpkdwmCYxli
@@@BB@@@B@@B&*opmLCUuc0OdkM88@@B@@B@@B@@B@@B@@BB@@@B@@B@BB@@B@@B@@B@@@BB@BBWo&M8B@BB@@B@@B@@@@B@@@@BB@@BB@B8M&8******ddwZm0JXnr)| _+vuJLCLpmw00CX/_
&@B@@@B@@B88#bp0Ycr{\1/uJqJk&ko8%8BB@BBBBBBB@@BB@@B@@B@@@@@B@@@B@B@@B8BB%88#Bd%B@@@@@@BB@@@B@@B@@B@@B@@BBB@%8#WhhkwwwO0OLCYn)t{l_ <{(tXXCUzQYz\\_ L
t@@B@@@B88k#hqUzvf_l ~)UCJOQpd*kMM%a#oW8%@BBBB@B@@B@B@@BB@@B@@B@@%%BB88@&%oapW@BB@%B@@@BB@@B@@@BB@B@@B@BB%Mo*baZqmw0LLYXn{~l >_fnxuzXzzn|_
#BBBBB@%M*hdhdOYf[ -tuvcUzOh#Wk%&B%8@B%8@&8B@@B&@@B@@B@%B@BBB%BW%M#&8#h*ha%@BB@@BB@@@B@B@BB@@@B@@BBB&8WobaqpwZO0CLCzj\}! <\frxUczXccnf1!
m8BB%@8B&&B#h##adZjt} _\ntcmZb*h*o#&8#%%8&@%B%@@B@@B@@BBM8&B8M%8%oMWodUJbZh*88@B8&@B@@B@@B@BB@BB@&%88W*ahkkwYJJCQXYz(] \CCpkqkmdm0Xvu}!
88%BB@B@@B@@@@BWbQf{ uCxz0cZdp*oo&%#%W@BBBB#@B&&@&Mb&pM%%*aaakbOpJnOzdM#8M#BB@8@W8@8BB&@8&&&###ohbmdqOvOzccc/|[] ]zb#&M8@aBBWhhwUt+
i%@@@@@B@@B@BBBBbOC)> _\cLJz0mqwkkp#&MM%W@*%WB@WB%MM8ooo##ahqZLCZr1J0mpWakZMB*BBo%MW%WM8d#ao*ob*hqmw0CYf|ncx(<[r !vZMM8%%BB8BB%8oaQ)
@@@B@@B@@B@@@8&pwCv{ |YXzLJvpwb*#0oo8W8MWW#*W8bhMohM*8#hMZqwabwdYphaOho8&WWW&%8W*MphpbMkhhp0qOZOOXfv]_[-}]?[ \Yqp#M&W@@@@BBB8*q0_
pBB@@B@@@B@@BBB8&Jnz\ ~[cUC0xJwwbOqdb#o*khkMaWWWZJoawMohhmbOw0ZCwZCqbpq#q*aMhkdbhadbdqbabZJUCYvcv\|\}{?? }cmdw*%@@B@@BB@8MMkL|
b@@@B@@B@@B@@@@MqOw/r? |_-\fCLZ0C00dqwZmZLZQd0QQ0wUqwLpCL0XX0|ztj/fC0mmbdd#bmZ0qZqdqdLOLQLLccj\)<+]!!i }CbaWo%WBB@&B@8&#oomx~
B@@B@@B@@B@@BB@&adqn{< ! |~f\(rYzYLzzY0QXvvc0vXvrUvcjXYYnjn([\- l|(xQLbqmLCJJQXYCXYOUCvzxff([l> {vJppak#%8&@@o%%M#o*wQr0
?@@@@B@@B@@B@@@B8abmj~ i]- [})|zrcx)x/tjUc1()}_|r\{tfuvl _ [)1uC|x|j/\~zxunvvL|ru?>< <fzzhkdam&B&&B%8*MW*qCvv
@@@@B@@B@@B@@BB%WhdQx] l_?[][[-t[/\\111}|l-_/l~ > < > [i _ ])}c\}(!\i ~|xmC#pwomo#*8W&WM#abOzuk
?@@@B@@B@@B@@B@B&MpLv/ l l> l- +j|)t|>?< l l ++i ivvL0opU&da&%WWWM*MpLr/r
@@@B@@B@@B@@B@%WWopJr! l l +rvr\xv\/(Zd0mwYv l [/xXY0p*odWaWW&BW*oapu<]a
@@@@B@@B@@B@8&&bhaOc|< -{(tJLXjrj\{{>|LCLZwXcUUCjYYjj\] J )|rLLqwk8&M%&&8Wo#hO\+?f
@@@B@@B@@B@@Bhb0ZCLn[ <! ! ii[<)|Q}><!+}x1OQ0ZLur||Xn/cUCcj(c|cunULj\x/? >}\vCYb#bM&#&MMWW*a0| ?{
@@@B@@@B@@BB&awmZXn/~ i ] (_??f]Lr]rXULzrjnv\\{/xXQYJQOvf{[xf~!+ Q(nXUCxx\|Xfnvfj/1-{i m +}/vCuYabh*M#8W##aqY_ \_
@@@@B@B@@B@@@aWbwX)i ])/r\[ztvu|urjjju1Yfr\cYap0CXn{ ~~1ruX0J0qvOYj\u{tjx)_|)i< [ -{j\JOJqkw##M#&WokbLu+ {\
@@@B@@@B@@BBB%hwmYu) ~[1{\(r?j(}{+l]+ zxL/cvJ\urf{}l{1+{njjzXXxY1f\{[([>-~l ~ }nxUOcmmkkka*ohdw0c( ~Xf
C@@B@@B@@@B@@8*hkZXY?[ ! l]<~~~?!_!_ +_|tu|1c}}?)]l >> IIt\vc/|-[} l?i~l- L -tfXCzJxdJhppdwp0cu<<xY(
@@@@@B@@BB@@%WaqmYf~l i} 1?+->+~ > >-_(/-r(<+ \()[]l } ~?_i+l_ ) > l f <{\vnCv0mXZqmm0Ccf?[|COZU
@@@@BB@@B@@@%*kbmCcu > <{?[t|f)|>!]~?1??1}}~!{)]<i}[+ i < |i > ~ l >rnc)L0OcCYzvx|(/ncmhoqC
@@@@B@@@B@@%&BakZY)f/ i<>[ ?i < } ~i>[1 ]1]_] - ![ < ~l! > J +{(_ccr\cft-}/uuQZw*#Mkm
@@@@B@@B@@BMo#aaZLj1] l i_ i|?!!-})>\f ?{[+ ](}nvn |! t/ i_l>})/?->[[/cQZmd#B@@&8
o@@@@B@@B@@B8MhhwwO([< ! i_j]\1tfxv(tcvu/xnz(1 < 1tz0ux{]_? ( l_ +]?(rXZq*MB@B@@Bo+
@@@@@B@@B@B&%&odQJU(_ >~ > ]1((\xf/tuXznvu/j1-]|i >)xnzUuxn{|}~[i> 1i ?{tjc0baM@@@@B@@@%h
L@@@@B@@B@@B@@WoOmLUx] <i i i1 \){f|1f|xn\(jtt(/l_- {jjzzcYu1 l-~l }!x +?-xJ0h&@B@@B@@B@@@*
!@@@@B@@B@@B@W8mZU/nx{> ! + !> ~i]|+((\}[[/]n{11 ?i)[j\xt(_\[[ _ u ?)frYwW8B@@@B@@@B@@@#
@@@@B@@B@@B%WMhmLCucn{~ !_ } < -~+f i~~n|c|/!1 -+ > <)[uJLbh#B@B@@B@@B@B@@8x
@@@@B@@B@@B@&*hoJuQzJr(-~ +[ {-!| ! ~ {>-< ~ il z> !tcOUopdQ%BB@@B@@@@B@@@8W
8@@B@@B@@BB@%*YqZCUrjCxju >~- <ct(- ! ~~+]?> / ?jXZmJwOqhoW%*B@@B@@@BB@@@ML
@@@B@@B@@%ookZqZnzJnLuCUn)I ~ \t>|~) i lil Uk _vXQmZhb#hWhh*%@B@@BB@@@@@@@%a
@@B@@B@@8*apZJLYYOCCqJzj? l )_]{})1< l~ >! - __i i l i >}fU0ba#M@Woa%WW%B@@@B@@BB@@B@B
@@B@@B@MMowqJ0cCXcXqUuO\{ l)(]fn)?f)i?< <[> |{+l~][! l ~-(jt\~-i ! !?nQwLMM&&W&#B%8MB@B@@B@@@B@@B@
@@@BB&8okpz0Lr{0uL0ZXQj\] _\\\1l[{t1t[ i1+~~_ ~!-x 1 c]}< [rf/]fj)rxU?| 1/XOqada%B&&W*W%8M@@%B@@@B@@B@
@B@@@BWoh*mvuuvuJCJpxtt?~ l~ tZ~vnj)_>[) Yr<|<<l [! }]f)<O#[~ ) ]t(vU|J{)tz{{C[ <l ?f_ t)0qbhqW88&&#%a8&&8B@@BB@@B@@@
@@B%MWbhUCnuuzvXCUQczX] (( X??c|rrUj\> ?<jt- +n)j+))tfni|j} +~ ( fn\nfx/c1[+l ~?< })vYhoa*%B%8WMo8%8B8@@B@@B@@B
@B%&kpCXtttnrnrvJqvft? + }lnJ\v!O0LCn(Y\(fxju)]1[]-|_)1?}\1 ~ i _)/)\jj~)\?_ l <-?_j}}> <tLpp*M&8*&&&##W*8%%&%B@@B@@
8MW#pJv/|t/(XnuUUjc}l |_ tXJJc\CJOLpJwuzuxu}{\\t[)z[-- [ i i < l)_|_\({)~<i [\{t? i > ~fUmwhkaWM*W**h*MMM%@BB@@B@
%kkqcj/\fnfuYnvj)!l c b? ! z]vJUYb*\}f|c_ jf/<(?i]~{+! ! + _~->>?! l i+(tr)\\} ><? ~ !(vqpwaaMWMWoMMoo&#&%&@@B@
odquj/\{\([/()! [ <lf1 l( |+_jiO&/ut <\|+ z-? +(+ _ x i !i ] t l_ /)x|/\|><->+ }{ + [rXQZphChaka&*h#h*W8@@@@
wzn]{))}|[-? | U -> vl )- J Y>[ !? /xvU<t+ Y? _ ?)t[}_ f l Qzccu/v ( _ ]( X {\vXJpOdm*aM#hkbh*&BB@
n(11/}}i j - > u J !) +Yvfn ){ >? < >_ -Uu|I}/{/< >] nl_!/ujjti { [inYC0pddaaaaakkM8@
+[?-i l ? _ < + < | XcY u< [ l [)) 1 - ! (| t i ]f!) l! ] +|}]\ >+1Oc)1) _~i! |vuUYmppbokb*a*
)}> r -_ 1} j~ift- l l ] } n ! ~} 1[ !1(tt)]i(1+ ~ - [nxXLZdpadbh
+ ? }l i ~ \| !+ > 1 ~ ]( i?_j-< - >tjU0Lqmb
? +l z<)] + u ~ -] i { > iv )fzvZ
Y 11 C _ | +} } ~ [ > x \m r ~{
< ~i> \ i _l l<-}L { {{ ! l q ] ]
}- |f [ - ! x[ i ] t/)+>J + ] > r ? -
LILITH's origins precede the ANYMA timeline. De Vecchi had been developing her since 2019, in his independent practice, and she entered the ANYMA world through a collaborative development process with Milleri — with her core visual identity, particularly the face, carried over from De Vecchi's earlier work. As the third figure in a universe that, until her, had been defined by binary opposition, LILITH occupies the space between. Her visual identity explores themes of identity dissolution and transformation, of selfhood as something unstable and continually reconstructed. Her design maintains the robotic-humanoid aesthetic De Vecchi established but introduces a fluidity the earlier characters deliberately resisted: surfaces that shift, boundaries that blur, features that seem to reassemble themselves between frames.
In the context of ANYMA's live productions, LILITH functions as the narrative destabilizer - the moment when the audience's understanding of the visual world tilts sideways. She shows that De Vecchi's character system is a living language, capable of expressing ideas that did not exist when the first mark was made.
X8@@@@@@@@@@@@@@@@@W
(&@@@@@@@@@@@@@@@@@@@@@@@@@@@z
p@@@@@@@BB@BB@BB@BB@BB@BB@@B@@@@@@@8
L##W%@BB@B@@@@@@@@@@@@@@@@@@B@@BB@B@@@@@@d
bbdkka*WBB@@B@@B@@B@@B@@B@@B@@B@@@@@B@BB@@B@@@
0bdpwqpko#88@@B@@B@@B@@B@@B@@B@@@BB@@B@@@@B@@@B@@@
}mqmZZOmwdao&8@@@B@@B@@B@@B@@B@@BB@@@B@@@B@@B@@B@@B@@M
umOZZ00QL0Oma*WB@@B@@B@@B@@B@@B@@@@B@@B@@B@@B@@B@@B@@@@@
YOQ0CCCUYXYU0Zba8BB@@B@@B@@B@@B@@B@@B@@@B@@@B@@B@@B@@BB@@@
zLJJUzYccvuucXLmb&8%@@B@@B@@B@@B@@B@@@BB@@B@@B@@B@@B@@@@BB@@
xJXzccuuuxxrrrucYZda%8B@@B@@B@@B@@B@@B@@@B@@B@@B@@B@@BB@@@@@@@
YcvunuxjxjjfftfjvJmkMB@@@B@@B@@B@@B@@B@@@@B@@B@@B@@B@@@@B@@BB@@
Xuunnxrxrjft//\(//fXJmoBB@@@B@@B@@B@@B@@BB@@B@@B@@@@B@@B@@B@@@B@
(cnnxxxjrrttt|/\(|1)\tzQk%@@B@@@B@@B@@B@@@@B@@B@@B@B@@B@@B@@B@@B@%
vnnrjjjjtftt//))1)){11fJq#B@B@B@@@B@@B@@B@@B@@@B@@@B@@B@@B@@B@@@@@
nnjrrtfrjjjft(/((||(/|(xOh&B@B@@B@@@B@@B@@B@@B@@B@@@B@@B@@B@@BB@B@
/nxjjjfrrjnxrxxnxCLJYYUXQw#B@@B@@B@@B@@@B@@B@@B@@B@B@@B@@B@@B@@@@B@\
nuxxrfxrruvXczzJ0mZZOOYUmwoB@B@@B@B@@@B@@B@@B@@B@@@B@@B@@B@@B@@B@@@)
xunxjrjnzzu/(1 1/ncCZQC0wk*&B@B@BB@B@@B@@B@@B@@B@@@B@@B@@@B@@B@@B@
xunxxnvcrt(} |uUqoM88@@B@@B@@B@@B@@B@@BB@@@@B@@B@@B@@B@@
}ucunuuur(} {1f\j/(1 {cQOhoB@BB@B@B@@B@@@B@@@B@B@@B@@@B@@B@@B
LU} /vuuvnr/} 1 \@@@Wmcx/} 1xQ#8B@%BMaakZmdbk#&@@B@@B@@B@@B@@B@@z
ruuLXvuvnr/1 ) u@#hZYf LW@B@@B%hkkbbWW8B@B@@B@@B@@B@@B@@B@
}\nnunxj/) (} pqCx{ m@@@B@B&koaoaWB@@&B@@@B@@B@@B@@B@@b
\rrrxjfft\1 Zn} jZYx{ \W@B@@@@8bbqmmZ LC [ #@@B@@B@@@@
{ftfjjjxf\{ \jcO*w CUj (YB@@B@B@%w0z %CLYbhB@x [UB@B@@BO
\/ttfff/()} 1Xmo&%@@B@hwc\(\UB@@@B@@@B@* rZJvUJZpkBBW#W@mB@@B@@| /
{(|)|||||({)))jLqk#&@B%%dU(1)nZ@@B@@B@@B@@BB8&#kWWB@@B@@@@@@B@@B@@@@@C
{| )(1)(){{{ }\rJZmabha*ZUj({}\fO@@B@@B@@@B@@@@B@@B@@@B@@B@B@@B@@B@@B%C
}[)1{1{[}[ rQpdow*ZCu1 )/nh@B@@B@@B@@B@@@@B@@B@@B@@B@@B@@@Bmzo@#
[ f }1 )uOwbZJv| |rzB@@@B@@B@@@B@BB@@B@@B@@B@@B@@B@@BrvoB
1{}[ )xXvzt} }jczv@@B@@@B@@B@@@@@B@@B@@B@@B@@B@@B@@qv@(
{ ||| 1nj) (B@@B@@@B@@BB@@@B@@B@@B@@@@B@@B@@k#%
jW%ZM@@B@@@@BB@@B@@B@@B@B@@B@@QB@@
( Qu tB@BB@@@@B@@B@@B@@@B@@BB@@@B
} vcrW@@BB@@@@BB@@@B@@@@B@@B@@B@OB@B
11(|fq@@8m@B@@@BB@@@@BB@@@BB@@B@@@B@&Q@
{ {fzQM@@B@@@@B@@@@BB@@@@B@@@@B@@B@@Bz
X {\xqQOhBBB@@@@BB@@@BB@@B@@B[ oU
{tjCQzja@@@@@BB@@@B@@{r On@
tJ&@@@@Bc{B\f 0@
QBvr)) } jw#
| (} }[xLfjj)(Jo@@M|X { ) u0@
f \[OBM8BUZc/r /xZ { O(CoB
/ 1v UXf|1|\ L}uQ@f
({ \ |\Xx ()xkB/m
|xuuf \\rt(jJ @)qB\(Qc
[ { ( /tm Z# /W&p\}1W
\ v Zc%1\ \zuB )} 8\
}} }1b@ @f( 8 )
Xc(fX ) J OY @k| rv z
fv% d@ WZ%u{} v
[ | 1ZqO@ B@ r B@pd[ n|
| 1 /( p}Oz)B@ | B@BBMC{ x)}
( ur/)( apv@W z /(W@@@v)1 z|/\}
}w1f ftrnt| \ )o@&M 1np&BBv1} jv)|nv
rooXj xUvx|\ {\ nk@% rvOxh@J|(j C{r/rZmQx
)ma#hQx cXrnuxf \ / | m\ cxxCBZnY} rCLvt/jL*aqm
L*Mpk%8 YxXuxur|| tt c\xX@Wvu 0dhM&&%MoaaddZL
}0##w&MoQ cmdLUzvnrt | \} 1 t(f|nv YOmqdhMW&BB#hqqU
)p%BBB@B@@@B%%oaLUUCUcuxn)j \ [ |1 (\jnvujt//jXo&W8@hkWMbpm tQk%@@@@@B&aC[ {|
zW@@O J#kZr w&#bx/}obbpppbbZOJ Xv\ f { )u | [ )1}|\X@B\(X#%BB @@B@%@* n&aa@M#8%@@@@@@@@@B@@@Whn
YMak( (q&WpZ{ /mXxnc X*0XnjrxcuULC0Cf1 }ff } )nz/(\((\ /OBB@@z( c@pCw w00mwddqb#&&@&BB@@B@@%B@B#81
ta&amU b%MpJn(} XYvBU oh@ JQnuvJzwhqZLQQQLYUvxn\t1())}} }t (chkz rLB@@Bx\ r( mWkOXr YQCOqZqZkM&#&M&@8&B&B%8%@@%oBv
(k8*adUx\ CYf{ \dk11 aabmmQ0z pCLwp Ou|xzf( rftxzJn@#1 fm%BX)1xxu( W@aU [{Yk%W&@@B@Mkdhq0d888&&B@dC*1
wWW#hqm} |jCj tpbmmj {bbqQbwY} 1 |vvYCdC| })xQkM/tvww\{}) )z1 \[}Ud8B@@B& B@@B@@BomQJp8@B@@B@*kZJ
LchoqZmv QC1 X#hmkmY) |*WOhqqQr\t }nvzzQ0UCXJCYv{ YXLd8aBBwt((c}r jCt X@B#M%B8h {/%B@@@@@#wwW@@@@B@@B@b#1
axowOZOW @@BkqLh YXUU OakppkmJxfjrt|jfch*ZQ00mmOZ0OhbQYB@@@mrrtj{ cnOk@@@*&ft }j [1* }h@@B%kpdb{ )t@B@@B@8qM%@B@@B@@@Bh@r
@Xmkpm0hf{ } ( %@B##YX {fx%oOLjf 1/@apkddqOLzcuuxXZqa*kqbhmCZqqqmm@@%1jj|J#jrr nuaMB@BWWUt rt jUx \Z (m@@B*dc \cQC }\8B@@B@d#B@B@@BB@B@@d@r }
hbqmOJXv\ } } }*&BB%JxwzXJ@@OQvn nuYqwpb*a#dYYzvzCLb*ahaab8dZZkZQkZQ()//Un@@xnn0fn&&@@B*aqj )ru/ {cB @ fUX Lm@@* d8@@B@B@B@@B@@BB%@@BB@Y(
XzXXcr/cZ jU jM&@@@#r JOQZM00Zfjn}\Qmpk***okdd00Opk##o*kakpb8oZQkUL/|zj|Yv0YcUctuOBB@@Wao*hj tuYf{ {dk {x\@BBBC @B@@@BB@@B@@B@@@@M@@B@@pj [
{ |\ M@%B@%%\/Jw0OqOJOtu}) Cdkpa*haphadhkhaoW#okdkdampLOCU\ }YucUuuvrJu{u#B@@BWM8M%*x|jnUr rzB@\tfj\nxXCqL({ 8B@B@@B@@B@@B@@@@B@@B@@@@c {}}}{{
*@%B@@B%1OZdCpdO0@t@%B \%Mpkko#hkh*aoo#*M**WMkkdZZJCYx\nBBYv)XjjzvXcrw&@@BOb#o8B@&x/jjf|{ [b@@aUuuxurvvrr }@@@B@@pB@@@B@@BB@@B&%BWowqL {{
a@@BB@@B&bzZpd0aC0QBQX{x MOwkdaa*###*ao#a#*okhhbpwLCQ| \vvJzbkOO@BOCp&%M&MBB#Mfrft( nu U@@qccxurutQ @@B@@B@@@B@@@B@@B@@@a {Z#8Jh {1{
LBB%B8%@@@%B(p0mdC*M@c/\1j JdpqbkakoaM*#MWM##MokbqmLCbo jUYnJCBBJCb*8M%@B&B88BLvc/\mUJvvr {oB&qJjrrY @@B@@B@%B@@B%ka&&@B# {jMoYXZd(({)|(|1}
) xmW@B8@B8BB@@%uLObwqBMLYj/fn ZZwphk#kMaoo*#o*okhbd0CzJ0 zncxtUw@@wZOoMM&&%BWo0qacnj#a*OUC fmwZQJ| bOmZWBWkb8%ZYvurxjJY nJtr} 0L|){[} {{}
[ } bBBWM&W&B@B%WJb8BWUmvUzvrj| mJCq0d#khaaooo*aabdZJcn(v X/ rYnvB@uuO0W@BQ0mphoo#*BM8WdQcXCXpccuMB@@Wo [|j } OzvxcYzLcd8Ynj/))|f xcnnn JjY }[ }
c@@@j1\W8*WMMB@@%%aQz0rLUvUjuYuXJ/YncYQmwddhhhakdbZUv/{Ccc(YJUUvYxvu%m#@BqmwdpoB@@kWMB@@B@@@B@B&XU%@@@BQ } | ct1((\\rtfCzj\\/t| Up0bau\\c
cmbB@@@B@\CW###*&@B*W&@XXXUfvzuz{cbmQc(fcC00ZppqwZQCztCdaq\YcXUYzznuZh#@Bobhak8B@@B@@@@B%@B@B@WqZbqd@@&@@v11(\xO@Bq @ @U( | }[}1)tY@@@@@@@BU }tt v x/
@@@O%88%#8@@[p&oM*#&@@a&&XrXXnUrf|{}YwdkhbnZqbhbpZjfva8oQr(}rrzvzcxabb@@&aaha#k@@@B&UCoBB8B@8B@@B@BBMM@B@@c xuXQ%@@@W U\&Mn) [r8@B@@B@@@a }( vB x
(((&0UQULU0*8@nh#&o*oW@@M*WJrvvrXjr 1t }|wM&WWMW#m|f( })\|((vnzud#w&BBkkobmpB@BB&aLQ*@@@@@@B@B8o*pW@B@QMBk))Ymo@B@@@ B ZQO )x0B@@BB@c }b@Z 10B@r {t } } }1 {[
(x((f/jXY/ [\nx |rLk*M&8BB@#kWXvCfor0 [UaWMW8&&oL/@nu/) {|jfvYhLU@@qOpdZYzwB@%#LcvULdB@@Boaaa*Bh&mhLJXuUt|f|)Y0a@Bk \ 1xd {/C8@@B@ )O) zw }}}{{{}{} } {}
{CCO ZLmpawdpdwqw0hu {rCo#88WB@mZ&c%tB\J nwW*aaa*&z@B%vr ({ffh0cB@O0o*kJUwn thWqmLpwu (&B@@@B%dM&qbuQzX[1t)|/ /rkYc {v [|rj||nt jz { [o0 { } 1} } }{
XY0k*haaohkbbhdbqJ0t({xp&M%W@@JqW@rB/\ [ rUak0x@B@dc {}|YZYBB8Uk#LrYX1(mC/()|||tnX0mqd%*BBBaLJU/OCXm{Ct|) )/ Q@@X| |c}vv \j { } } }[
nCJ0a*abbbhbddqwCCXcXm@B(uXoh%#BBhwMOnC [ q@@B0) }\0v%B@LaaUxzutnc(}}11111((\\jnQoM%@BMQuzYUjCvUr 1[){ tQ&pw0ZWBB@BQ{ r| } }} [
/tYUp8aabbpmCnjf(}{(|(jB@@@hjubo%*@@%pBxm1 j#*Y{ JuwBBqhbCfxuB@@\1{}}}}{{{1)||/fu0WB@@@WmYL0vxc%| ff) (*@@@@@htncXU0OdmY| }}
(fCha#MhZt)[ }){jh@@B*@@@tuboB8B@BZWj xu xvr@@LppZvfk@@@B@#|{}} [11|)1))//fzZ#@@BaZLOkUj\n@1fnu| [zp@B@@8jtrfcJh*kwCzv/ [ } } }} }
(c0Uruzj/{ {|h@@BB@@8a@Buumo@B@@Bb&j }r/@BhMdZv/m@@@B%@B@@\){{11((\|||\fnnO8B@B*zU0Ycxf|Z@frut[ [ )juYUX b@@@B*wvQJ Zuxt/jt()\ } }[ } [1[{ }
|rjuuf{ }}{X@BB%@kmdB%@@@wjh8%88@@@@J /t@BBwwUf(O@8XUOJ@@#B@@tfuxvfrrcxXvzzuQ@@@@BaZxjrrznj1@uzu)[\ \uuvX\ |ZQL@@M%ov[ )/1}} )} }}1}1}[ } { }
{} }jv|xfnjB@a%@tjC8@@B@@BBU@BB#@B@@@} fa@BzXj|()B@ttznL0LB@*@@j){{{{{))||\/tv08@B@@@qnn0kWLtt#XUu( 1trxxYf |wwbkbdhahOr/} }{ [{ {} [1 {[ }
\( ({[ {(1\|YB@XB@()fY%@@@@B@md@@@B@@Ya{( 1@C|(\})@Bb{1)} }(@@0BBt}}{} 111(()|txOWB@@@BXpdwmQuxvazj| /)|} {\t/rrr |bo@@@8aapjjnvY( 1 }{{ }
(ux {\ })1{ {\8@%rB@r\//UBB@@zB@rB@UB%(|{ @Lt) 1@B }[[ n@/|B@} [[ [}}{)11))|nLhBB@aUYLYvQYzuBnj({zft\t{b [\)r/cC1 (jQBB@@@odmYucz\ } { }}
\ x }1 }\B@@/Q@0cOC0#@@@@X( )CBX}} [[ f8 }{{ B@)(@@r [}}1(11\\fYcULJxjnffvQz0hXcnvjx((|1x)\ {(fnXn\ )upB@@@@BpOQcvX\ 1 } }1
{ \ {/@BBr@Yp0qohBBBZQ 1{x(XoC }O( { }{}} M[|@@B{ }}}{){)((\(\/t/\\/|ux&LQJJj1 })t)W {}}|fvt1\| }|xOBB@@@@@BMLvf } } }1 1
{1}} }/@@@xQxvvXQ&@oU@0) 1bc( rx }YB@j [}1})1)1)(|1)|))\f dXzXcYvnr\( O 1/uxnfr/\ )uq@@ZXQkaa@BQr[ }}[
(({ j { 1@B)jhnuzYaBh0@o1 1OkpLUUQqpx } (uB@B [ [}}}1))(//1(/t|{MJUrzxnJUYr{ })utucc1\| \ [qB@@@BMCd@@c\ {}[ [
}(1 \0n jdk8@@@@B@|@tuXUk@av@kU {fzYUzf{ %o%@@t}\Y)} [ }}}[{rzZmxf{Bwzn|btYLUr u \\jvXnj/| 1 { 1xZ@B@@@@8UJQ@Z) {}
() }x@ kB@@B@op((@d}x1|\La@BC@X/ {|/ftxjfr|{ z [ @CB@@@B@@%MkX [[ }{{| ) @tBr1utzLcmx})n {{)xjvx/) j( Q@B@@B@@dXu@z
\B@ @@@B@@B@@B@@ t|rf*@@%@||(p U (xujr\t\j/) x h [(@B@Uz&m@@@@@n\}} }{ }}}}Q@jw&|)}L0)BfQ}|c {|tx\ \\{ L&@@B@@BYYvqX
)d@@@@mh@@@B a@&{ }f/um@BoB(\)\Q {t )/uj(}[}{)rfj(z @ /xv#B@@M@@B@B@@@8\) } }[)W@WLMz{{|}}m t(ntu {)t)1 }1 } {f@B@@@@BZUcbr
{ { [ 8@ { /nLB@q@ v(\jw }| 1(}{ {1{r) @0 )twhBB@ [ )cv@B@@@&Uv@@@MWbx1)1||)1 |jxn (}|() } } (X88B@@BJOX%%u
[B@%}{ f0@MB@@b(o\\/n { [ nfX @@@ jvLw@@@o }[UnO8@M%B0w1 {1//t /v |1)11 { }} {[ ) 1\1W@@dhzx@Mz
1 O@ @ { \mYq@@BJY8\tYjC) 1 Zb@} Q B@@}}tJww@@B@@) 1 \ 1 11\r f { ))} 1} ({[tB@@cYXXOZX {}}
c@@\{ @1} }j@@@bQ)@\(fpZn\ (1 wooO} @ r@@@1mZha@@B{8@ [ } [ {|jB@ { Y\ 1 }/j/ 1 |t( [%B@QXoYB@wX{ [[[ } [
( %@Bf\ \B@)}u@@@BLt1&/ )ut} ){[ wBcJ BM \B@@@)mq&WB@cfr@@\|{ 1 )\\t@ % ) fv\ ) }rj| }(){t} rU/ }( tCmW@@B&@cZ0 11{)/|1cz{ {} [ (f\(ff((
O@B/tcxY U@@@BB@vff({} }(1 cu(1 v |B@@@qvB@M@B0uUc@@d0t}) } \/} UMh || ju)\) xJ(11 {) )1 |t() 1|1 }\[ {\|LB@@uJn0O11[ 1nuLU}{}}[ [}tpqnwQJ
@ 8@@j })\t/1} }1({ fr/ {b@BB@@B@@@%jYvLC@Ba/{ { @@) )|@@ |{ |(() [) )UJ } z@anJjU*t tfj/(())[ } [ tuBBU/
o 1(tt|[ [{{{} { }tYbB@@BB@&O%%%* })8B/(){{[ ( f@L }) )( {{ fn\ )xJ(c( )Urrrxnnnrjtf){ }{ Jdaw#hu
{( UO@ 1 (|\{ }}\}[{} [ }/cC&@@@@BdQ@C {n@@@t1{{{{ aorB/ { } rv f@ |jvXUJJJJJzuvY}{{U&%0&Wa
{( }11 11 |1}{{\ 1 (nJ%@BBaCvYB@@u/@tn1{[11|j/t& 1) 1j tfcvX0x ( {\/rncULLLJvxJ|tvcYuZd
\ }n }|\xnx 1((|111()(){[ }{{ (}{) )jU*@@qzuX@@@@du\ru( [{(\f\ }x*#0 )tvvf {YQ( z0j \uYYUCQJcuQ}YYYzz
}r& )(Qu(1\ttrn)){11}}|(1(|) )1j@p )fvQwZcvvphB@@az/cxf))Y1u {uQY\ cW@Mv{ fuXLCQrc@wYcr
11} (z| {}[}}}{1{} }[[[ [ }{[ vx{ )|{ {/vOkZYYntpBB@BmrMzcr [1t{ { {}}11\j/ }{1(|| U*#LrfuL1 {rvXCQ0Lx@aLJ
( } ///} [( [ }}}}[{} [{}1 [C}(1 (xmbQp 1L@@@@@%x@@cn \}\LY| 11 |vx (([))1{}1[ fvv/|t) }Jah*8x \nzLYc\ 10J } )uXJ0C@Qp
} {uX/1}{{\u\)[ 11( {1}}{}{1}{ [{{)((f \1 }(/\} {(cjcv 1v% [c@B@@BJ&BBd/ (\}1{(((|(jr|1) /tnxt|11|frjnZQj({C#ahM{ (\uccct j88d%o{|j\ }/uJZw*#
} |(//rxxft11))} )}1{} }11)\jnx {|\jh@@@B@QUU&u nB8B@cQ@@zf |/rrx) 1xcj \cYvXCn 1nvfruLmwY/1/tzc\ |czj(){{Omkwv} u\ /z0%
SYREN closes the tetralogy. Where the other three characters invite contemplation, SYREN demands surrender. She is the point where the ANYMA aesthetic tips from beauty into something more dangerous - a visual seduction that knows exactly what it is doing. The final look was developed through shared art direction between De Vecchi and DExamol, his long-time collaborator, blending De Vecchi's architectural precision with DExamol's textural instincts into something neither would have arrived at alone.
SYREN demonstrates the universe's longevity. Four characters, each distinct, each carrying its own emotional charge, each immediately recognizable as belonging to the same world while refusing to repeat what came before. That kind of range - coherence without repetition - is the mark of a visual language built across years of practice.
+ w 8p ? ~@@@W[|m _@@@dz jab@Z? i@pj< c&
- \ + t# >@8Wh@w+( +< [f n )@ojxZ)@@Wq MO@&@_
l \ + ~ r!u ( CxQ0uY&mwa\ + C/q[ LBkd l+? ~+ <~mMc
([ &n Qi J% xk@@@B_ z}xq+ xYqc@%Bh <i!![ X > @0z
C \< rW@@@B>] Q@B@@X 1 j i_JBUO*h%< WWv r_(l
J + txZoW [(Xuk#d +i lv %B !*@&BhxCjOM#~ & lMb
xa%%%%B@@%B@@ o#B@ (bn+|ZpY@8&(Lo*wWi > #huB#ivzhmaQ*- J[fYC!Yj
a@%@@@@1jr () O/ + _pLn[]nc xx }[bbB#@+/8#MBOJndXdv#b !OU i>
?M@%@B@@B%f ?u C~}YBv?[ > WIu 8QwZ[ 1zB@@Bc8&C*< -[M zuUh{
h@@%hB@BB@BB@ |{ d&U QOar xzUf ( Y(]-(*}m/mL1 0 > | zp }@@W][n
{k!#B@@BM@@W1@M*l (_ Ii >/ ( (+8Jx % 0%a_ >l }a] Zjmun !XW8j> +lr8 x ft<okqhOl
@Mq{c#jp@@@B%h@BBor c/-n m f f% > ) ]00Ou)bi {m fX* |_ [ l Qv*OBo*
U|wk@LcnOB~@@BB@@a?dk i ?h Y({zY { X [] l Jij_l1 v u > j %tBnB
lz iWBdC~B&@@Bprh%B#8BJ>[l~ )1a # <( { } + < / z~x! ]> (I)XL I x f81mQ0
#h xz#pBBB@B%BqLmW@Z ! > ca LBnpz \ L _C p c n t d v }}\*Wn @BMB8Ymf#
_@BBmYqB@O@BB&8@@@B\+%8_ J(jB 0# + C< [i l8%L%BL[1 B@ o@? \] b|Q> j |@@B%U&8B@BMLC
{@@@@@@@ i Y%X%pf@@@@@Ba0BB*0U 8 ~bx{p( tx zi %t! +1q&W%@ZIYY l n{MO ) ~ p8d&&k @@B&M@ko%8
#@Q}@&B@%B bxpB<0BB@B@BkBB@n /@pZ +_ \ <B ~m@M iWp@<U ?jx J*u Bp l<| +iOfBff8d&Wqzo@BB%#_/x
@W0ZabL#%BYd t < l jCoba|zM@@@J*B lpBk v * O 0@o%C#-@m&|t Jt v! c! I}]c _~1 UL/xB@hB@B*fWxBc xLk
C0+<? JpCo[ _ Oil? <wZ0mn&Y| vpk!! uL<f x*B ]%w8YWMkL}) ~rMZWX]vxov ?JpZ 1+p&qM@@8CMaBBWd0<8b\
) UBZ > [z ( ~? |XzZWOq qQ Z jL ao w#ft&BU JBZ-t1 w [Wd i U8B%@@Bndm#M@M &%UW }
+ Ux\ ! ] il|mQJ hh} h X{ c0lnvB1qc\aB*BL} zj_uj? rt _ ! #BZB@B%#&B8cC? mt
~ poa# U mo f >( }}# @@Bx +zl| lZ zBm/ -!dOi~[ fw C&v |w [ |w#@@d%@@WO)%knqq
~j(>8>1Bh ~ v x\ zcfv~h z %@aa -) bn %@@@Brj z [ ~?_ z j{ ! oBBobZ&<tbLuLk _8@BC
t@k ( l ( j jOvmf Wl%BJ n B@@BBI@@/1 B&Z> OOvC iQh0uqhBQ>}mpv{t U@8@@@
l n t JJQC{}>< v | 0@) >J~C( iOL@B? i> ~U }< ~] } r8J l Zfv tI u#Mx]n u[ w @BUr0nw
L/ Q} |]t>~ %ao@Bj + ol|{ zvz !nJ C@B -f i 1U +]U{tj J 1oj|nw|1 i O+([} lW#
u ]i+ _wd pZqut{> if\* xlukM a% ) +U+? + &x})>) U x+% <] ? cz+? +
/ ~ |z]CuY_ [c~X>? <hk ] U / !X ~ \wU CqYC l [ ?# ! }1 i{b
\ cnO-}X~ ~ | > l j |\t #(t)dc[| +]_wUX l) ++j uk +~< tm%
u (>(iux \Y l i dYL]CYQ >] (#i \@j {f <+
L < } ] 0 + ~){[}t\ c x {i- ( i [ Y ?vdC? QJ
> J rnj][ i ![{li> ]Q) t ! < [ r1 } +c X
> < t p !(~nqa#mL 1( {_-}~ r)}~ _ t l!il?r -f{ (zrX- *i < ~
x ? j ! +rLuJ*&Wp/qwOmj -|vUQf|_+<<{tj- ~ } _! |ulirv1qztJ~ / + \tr+[
fu ?~~tQa%-ZMQo*kadoML \_00L0 (nr/jc/nj){ ! ! +m> \| ~]l zYx>
~ i ]\1CkBa~ >boo*b*h#a_ ]jQ CxcxYrYXXYzu > _! ]CkY </?rrfx[xf M
_O ) j}vqmqv \zzYmOmLvi> OqJZLYu{[{n ~~ <>)n{1}()xUL- v)+?J_!_ < io0/
> _ | Ql l (v/)]) nLJzJx/rv\ l }(tfpop0w%Qmb!Uvl i{u!t > Y {
j+~ CUn /zOqcjn >[jzOO/cJ8ZjiOCJ 1 \i
r /m0Ux ~ l\YLCcr - !0i < uqwX i j {{
~ vQpo#kc {@ol-| {1d*h{ ]jj{-- > ?/ +
di (vwM%@@#dx +r _x@@@ - !>i] nU} i ca B1
Y) /| | }UaW@@@%#kt]i l/xB@@> ? <v < ~ r - ]I
]Q )|+ }p#@B@@@@@pxxxzUY@*w( !tu@BB vL| >(\ +_? (
_ !]j !%B@@B@BB@@@BBk*&Q ~ k@@p ! _fQZCXJ <<
-j\m88@@B@@@@B@@@@%o*&I l8@@{1 ijCftftjuUOmwwOpCUUz ! \f
x?JJOa@@B&aBB@@BB%*MdC %@B} ?nhk@@B@@UUQqphW@MhhmJ/U\X r
? nUqdLBB@@B@@B%ohdWa a@X -x\do@B@@B@@B8bpo@Bc%0YfC/> r
+ _l[fOp*8W&8B%#bm0dh# 8B ~nmxcho@k@8B@%QCk#OnO#zcv[t[
m%x < ! > +umbdhhk*dZJb%@%L >M@ tUq0r-k#B@@@BhqhhJ0pQ\/j<| i
\8v1 _ m !rLmdkokabfCo#B@wB@@wwzwpjfzq*8WMadwmqCZ\]){ !i v l
hh[ + <~ r!cdpaWB%#x >Yo*8BdrfvfjUcXQOdwQJJXv|! Z l
+ k ] ] a( } Ch#W8#8o -q#mUJLJJXu// Jz i < (
+x _vtl ~d**k*8%r > <jL*@WkOCXvj1 fvQ i_
c CJQqoBB8]_l ~+>_|vJmq8aMbOz[ _\Y/
l l (jjUZZ0QXxtrYcLZ0JCCXCcJI [J r ) _
[ \zznt> + !_fQ r
[ i -___[{a lUhJ1< Y%8+
? ]i>! )[ l_ l -{?(q~ _ - [ ~O&
> |C( l !U ? _xc[
i0 l J n[ i ]{
L8 cqc fu >< i +&
Q<z/!~] cvu{ <I{} )O* \_
jx) _+i@d1@bm8@@vq@@B#%@@@@B@@@@@% ~ ~ !?JB )r>
> ] f]B@|@BW%@@@B&BB&MM%B@B@B@@B@@% -t +{
iQ n/f@>ip%8oadB%%BBokho%@B#%B@@@B@@B }i+1? \Y
< r - d8w*Oq8@B@@@@B@@BMZwho#BBB8B@@8? ? l nXk{
_ U < |jOn_]j@@@@B@@B@@@@B%*hmrUQ0hkd@@w ] /k}
r < X p kCvJ d@B@@B@@@BB@@@@@B%Ou)1\nzmp#i ! >]q
f ? Y /- ] !<|*@@B@@BB@@@BB@@@@@@@hzv|fxCQX < Z+
( ?Q > O-\+ LBB@@B@@@B@@@@BB@@BB@@@Bm0cnY| [ >] 8
u !!> m@@@@B@@@B@@@B@@@@B@@@BB@@@@QUxU ~ zl >wI
_ i]*@@@@@@@B@@B@@B@@B@@BB@@B@@@@@B@@BBr(c !l < >
- q@@@@@@BB@@B@@B@@@B@@@B@@@@@B@@BB@@@B@@@@W-/ [I ~ ~
x ] %@@@@BB@@@@B@@B@@BB@@B@@B@BB@@B@@@@BB@@BB@@@(? f <
/# ~%@@@@@B@@@BB@@B@@B@@@@B@@B@@@@@B@@B@@@@@B@@@BB@8 Ya w
z@@@@@@@@B@@B@@@B@@@B@@BB@@@B@@B@B@@B@@B@BB@@B@@@@@BBx < l/0w v>O
@@@@@BB@BB@@W@Z[)XYCQ#JB@@B8@@B@@B@@B@@B@@@@@B@@BB@@@@@@ + >Cid{+ p>
a@@@@BB@@@@@@hxt+_ {fjfJOZJM@@B@@B8@@@B@@B@@B@@B@@@@BB@@B@@ <? }<\] ? !
l@@@BB@BB&0zf\! _|cZka%@B@@B@@@@@B@@B@@B@@B@@BB@@@@B@@BB- }}/1} u
B*Uccuxrt\[i !-uq#@@@@@B@@%@B@@B@@@B@@B@@B@@@@BB@@B@@@@O } ~/[n1+ j>
(r/({??< ?zbB@@B@@@B@@@B@@B@B@@B@@B@@BB@@@@B@@BB@B# !_<i <11 jc-?I
M+ +Y@@@B@@BB@@B@@@B@@@B@@B@@B@@@@BB@@@B@@@@Ba -> -l ?_[|r({- >
i UB@@@B@@@@B@@BB@@B@@@B@@B@@B@@@@@BB@@@B@@@% ((+}}l
Z z@B@B@@BB@@@B@@@B@@BB@@@@B@@B@BB@@@@B@@B@B@8 + / vl - !
++ tB@@@B@@@@BB@@@B@@B@@@B@B@@B@@@@@BB@@@B@@@B@* [> IO(~ + ]v ! ij@
| [@@B@@@BB@@@@B@@B@@@B@@B@@B@@@BB@@@@BB@@B@@@Bx 1| ( ] > + 8
}_ C@@B@B@@@BB@@@B@@BB@@@B@@@B@@B@@BB@@@@B@@BB@@uv ! > ?> i >jJ m
q @@B@@B@@@@@BB@@B@@@B@@B@B@@B@@@@@@BB@@@B@@@B@\)[i > )?_ }1 < v[cj f
> t@@B@@@BB@@@@@B@@@B@@B@@@B@@B@@BB@@@@@B@@B@@@B ?}/~ i { [ ~ u <t)z( |
/ B@@@BB@@@BB@@@B@@B@@@B@@B@@B@@B@@BB@@B@@@B@B@B >)1t//! > _> - [ >[ ~? C/}|] ! LOo>
i - +@@B@@@@B@@@BB@@B@@@B@@B@@@B@@B@@@@@B@@@B@@@B@M 1mn~ ?f-< }1[+ [\}] l1_/d-\ |+j
{ } 8@B@@B@@B@@*b@B@@B@@B@@B@@B@@B@@BB@@@B@@B@@B@@U|/1u#ZM ~_i1]])-)+ )} n(uvjrn/Lv}*u > [- 1
] [B@@@B@@B@B-_j0B@@B@@@B@@B@@@B@@B@@@B@@B@@B@@@B%BoxfJxpw J{xj( l-]ti 1ct[l < r! C {c !<
~ - @@B@@B@@B@~ 0@@B@@B@@B@%%B@@@B@@B@%XWB@@B@@B@@@B@@ou/UQ >j/zc)?(>fu] |cYu@mxUt }_ l[
c@@B@@@B@@B /@@B@@B@@@0~xa@@B@@@B@L b&%Mv|| [r#@@BpvQ]]_ ccJuf[?1| }YY#*d#oZqO df B l l >
@@B@@B@@B@ ~B@@B@@B@BM @@B@@B@@@ i+> ua@WLYzx hQt/x[_(vt< ~|bW*&M- L XCrj _ X< n
8@@B@@B@@B% @@B@@B@@@@l c@@B@@B@BB \Z|Y%vQBBoZYQ o8cxtXzvJam\ uXCWWk ~jn+|1 ] ~>tx w/(
l@@B@@B@@B@_ @@B@@B@@Bd ] @B@@B@@@@B _w >BQxXpwaMhJz- Q@aOw80YUOo*n/w%pkB) -< ? | +
(@@B@@B@@BC %@@@B@@B@B %@@B@@B@@B [< h!< ! zcXjj|mOX n&bbBocLh%aUu]UB@d ! [<_
L@B@@B@@Bh r@@B@@B@@@# L@@@B@@B@b \iQd[ > j#&q?&*+ \1 XB%B*UcQ%Jw(/qu Ij - i +
@@@@B@@BB @@@B@@B@@B? < B@@B@@B@@cv) ZpL !-?tjkCmaw t[lX\8*BBq00Q/jj|x ji (|}hz? { r%@@8 [
j@B@@B@@B( oB@@@B@@B@B LB@@B@@BBBrx}ha8r bvLBZ@BuU L~_f? vndhnX\> i t l UJcYmjJ1t }@@@@@B@@hj}
? }@@B@@B@@ 0@BB@@B@@@ M@B@@@@hcCL0Uf1 )ZUpOp% Uf c + | ?Jmmqrl |nvr\{_{ < ! n@@@@B@BBw~
@@@B@@B@< 8@@@B@@B@a > (%@B*?>OmC8znQB?0L@OBWahz v XB@hv(I i ]!- f!x <l~_|~?+ f@B@BB@M0\
l 8B@@B@B[ @B@@@B@@B ! n! r_! - Xa*kmkpW#mW&WkOB ~ ?X )uWBpB@*n{tXdowJu|{ _ [ !\<! ] z@@@@@%0f
UBBBBM1 m@@BB@@B@L ?[_ - ?/8q(ca)pkzwcfp x Yq8&@B@@%kz)z8owwUXt < b Ii ll u B@@@@Bopn]
? ]\ @@@@@B@@B ~/ )lZvUYxw?wf/jk%[i < jwwpmBB@B@@BpwQuY-axv<+ [~ [ ! >>_L [c@@@@B@@8J(
ij &@BB@@@B@b < l> ? +l(~\(CdxMw /Xu&Bz ~ { 1cZpM%&BBB@8B@#@omX(>|? [ _ ~ 1Y 1B@@B@@Bhji
8@@@BB@@B [ 1 (lilxYxl ffrc0kdJfU|>OO| l >[ (\zqB@@@@BBB@8%@B%kMxcX~ t i 0 B@@B@@@B\
%@@@@@B@a C|[ L} i{u1?v]|oBBLCOqn8*( ~ -vYUm8B@%@@@@@B#@@#bOnqJj | ] ) @@B@@B@@B@q
&@BB@@@B /v) ~ ~(1Y\ U#m)Y&Qc+b{ > tjYc*hpoh#M8&&b#B&LL|rdn( t l x* ln@@B@@B@@B@@@@@@@i
B@@@BB- [ il[ lit ~uuxcZU_1vc(n !zx%kXZxZXCdhMhkBbb*\Lmw v q u! >@@@B@@B@@@B@@B@@@@@@@@@@@@@@@@B@aod[
i0wU( f i [{>IC<iff_<fY/c|qO~~YJ 1uUJOpYJxnw*aa#p&ohXJ~ - f r @B@@B@@B@@B@@B@BJXvzucXLwpb*#*M8B@@@@@?
- \ 1 1{ ~! ~u< )Xv[[j ] -|m\QbJXLX#%%8Mo##mdU J i!< i { } &B %@B@@B@@BBM@B@@j i>_+<>[u \
<i < {i ~ { 0cifL0 +|[ r_\cqUUCzQ#Bo8&&Q00 _ l 1{ B@@B@@BM|]/Q&@B@@@%
{ _ + in -}l! < >+rmpL%dLqJdB*8oZBm[ u ( ]c#@@@B) }Q#B@@@@@z
> +}_~ 1 i1hvbkZbZt&%pdvpC _ ( l lck@@@@@? [UbB@@B@@
& Ii v l -i]QJbQqjjxpLY1z Ll } [ >nw#B@@@> f#B@@@@o
De Vecchi serves as Chief Curator at SuperRare — shaping curatorial direction at one of the leading platforms for digital art. The curatorial lens he brings to the platform directly informs the visual ambition of ANYMA's productions, grounding the project in an ongoing dialogue with contemporary digital art practice.
| Work | Platform | Year |
|---|---|---|
| EVA 0 | SuperRare | 2021 |
| Adam X | SuperRare | 2022 |
| Production | Role | Year |
|---|---|---|
| Printworks London - EVA 0 Debut | Visual Director | 2021 |
| Printworks London - Genesys | Visual Director | 2022 |
| The Weeknd - Sao Paulo | Art Director | 2024 |
| Sphere Las Vegas - End of Genesys | Visual Co-Creative Director | 2024–2025 |
The characters are the most visible expression of something larger. Beneath them - holding them up, giving them coherence, making them feel like inhabitants of the same world rather than four separate designs - is a visual language that Alessio De Vecchi developed over seven years, beginning in his independent practice and evolving through the ANYMA partnership into a comprehensive production system.
That language has three pillars. First, the robotic-humanoid aesthetic itself: the conviction that the most emotionally compelling images live in the uncanny valley, in the gap between what we recognize as human and what we know is not. Second, the CGI-to-live-performance integration approach: a pipeline that allows characters designed in rendering software to appear, at full fidelity, on stages from warehouse clubs to the Sphere, reacting to music in real time rather than playing back pre-rendered footage. Third, the narrative methodology: the idea that a visual show should tell a story with the same structural integrity as a film, not simply provide eye candy while a DJ plays records.
This visual language was not created for one show. It is the operating system that every ANYMA production runs on. From a 2,000-capacity London warehouse in 2021 to an 18,600-seat sphere in the Nevada desert in 2025, the language has scaled without losing its core identity. That is the hardest thing to do in visual design, and it is the thing De Vecchi got right before anything else.
© Alessio De Vecchi. Visual Co-Creative Director of ANYMA. EDM.com Best Visual Artist 2023.